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                                    SAADA: Redefining tales of


                                    South Asian American



                                    Keeping intact the reminiscences of South Asian American history
         Culturati                  and culture, SAADA, a digital archive platform by Samip Mallick, has

                                    chronicled over 3,000 items in a stint of ten years
         ArshiyA sethi
                                                  eet Samip Mallick — Co-  however, was my South Asian American
                                                  Founder and Executive   identity. And it was not until college that I
                                                  Director of SAADA — the  became aware of it”.
         Dr. Arshiya Sethi writes                 South Asian American    Ancestry, identity and citizenship in the
         on cultural issues.                      Digital Archive, for-  immigrant population of the American
         After a rich career of     M merly, the Director of the  melting pot, occupies the consciousness
         working on tangible        Ranganathan Center for Digital Informa-  of most Americans. Immigration, ever a
         and intangible aspects     tion at the University of Chicago Library,   hot topic in the United States, has been a
         of the ecosphere of the    with an M.S. in Library and Information   seminal part of the historical and political
         arts, she runs the Kri     Sciences from the University of Illinois and  discourse here, since the founding of the
         Foundation that            a Bachelors degree in Computer Science   nation, making up an enormous part of the
         promotes arts,             from the University of Michigan College   history and heritage of America. Tracing
         activism in the social     of Engineering. I encountered the South   ancestry, ethnicity, genealogy through
         and development            Asian American Digital Archive acciden-  DNA testing is a big industry in USA oc-
         sector, especially via     tally while searching for information on   cupying considerable media advertising
         ‘artivism’, and the        a pioneering Indian dancer who taught   space. Among one of the reasons for this, is
         generation of knowl-       Indian dance to an early generation of   to seek a sense of community.
         edge on intersecting       Americans in America but is conspicuous   “Realising, that South Asians had
         issues.                    by his absence in any accounts of Indian   started arriving in the US in larger num-
                                    dance. The only image I found of this   bers beginning in the late 1800s and early
                                    dancer was in the SAADA cachet. An email  1900s and that South Asians were barred
                                    to its Director got me a prompt reply, and a  from US citizenship from 1923 to 1946 was
                                    chance to understand why Samip Mallick,   completely new information to me” said
                                    a ‘born in America’ citizen of USA, thought   Mallick, who was previously the Assis-
                                    of creating this archive.          tant Bibliographer for the Southern Asia
                                       “My parents immigrated to the US   Collection at the University of Chicago
                                    from India in the late 1960s, part of the   Library and has worked for the South Asia
         SAADA’s digital            initial wave of immigrants following the   and International Migration Programs
                                    Immigration and Nationality Act of 1965.
                                                                       at the Social Science Research Council.
         archives include           I was born in Michigan, in the suburbs of   “It made me begin to wonder why it was
         more than 3,000            Detroit, and raised there for most of my   that I didn’t know these histories growing
                                    childhood. I say most because we did move  up here in the US. What I realized is that
         unique items,              to Pune when I was 8 and lived there for   these stories, like those of so many other
         constituting               two years. But, other than that time, most   minoritized communities, have been over-
                                    of my formative experiences were in the
                                                                       looked and excluded. Our stories are not
         rare historical            US” explains Mallick.              included in textbooks, they are not taught
                                       They say that you can take an Indian out  in classrooms, and they are not reflected
         photographs,               of India but not India out of him. So was   in media”.
         letters, postcards,        the case with Mallick. “Through my par-  This realization and learning more
         newspaper                  ents, I was always conscious of my South   about the South Asian American com-
                                                                       munity and its history was transforma-
                                    Asian identity. We would attend religious
         clippings, and             and cultural functions throughout the   tive for him personally and helped him
                                                                       re-imagine his place in the mosaic of
                                    year and had many family friends from
         ephemera                   the community. What I was less aware of,   American society. Dr. Michelle Caswell,

                                        Tehelka / 31 august 2018  60  www.Tehelka.com
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