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art




         Stage 4 cancer patient’s



         brush with art wins heart






         Hailing from Srinagar’s Lal Chowk area, Mushtaq’s love for art      “My only mantra is that life might
         took root in his childhood when he made his father’s tailoring   be transient but art lives forever,” he
                                                                          reflects with a warm smile.
         shop at Court Road his first muse, writes hirra azmat               Hailing from Srinagar’s Lal Chowk
                                                                          area, Mushtaq’s love for art took root in
             nside an old nondescript build-  Mushtaq certainly is not one to deny.  his childhood. His father’s tailoring shop
             ing at Srinagar’s Barazulla local-  Battling stage 4 throat cancer, pain and  at Court Road, the city center was the
             ity, the soft October sun sieves   trauma for the last one year, he hasn’t let  first muse.                 • Colours of life  Mushtaq credits his brush and colours for giving him confidence and hope
             through the windows and lights   his illness come in the way of art. Rath-  “As a kid, I accompanied my father
         I up the profile of a man in earnest   er, he credits his brush and colours for    on weekends. At the shop, I noticed the
         contemplation seated in a chair. The   giving him confidence and hope, when  fleeting sights and bustling life on the   many insights into the world of art. But  yet to be extinguished. Everything col-  this, when will it end?), a verse by Sahir
         sun reveals a haggard oval face covered  he had almost succumbed to disease.    streets. This would remain in my mind   as soon as I entered my third year, my   lapsed around him, and Mushtaq was   Ludhianvi which was the catchphrase
         with a scrawny white beard.      Always  a  talkative,  jovial  man,  he   and I soon drew them out,” he said.  whole world turned upside down.”  left in dire straits again.    of the 90’s, and ‘Curfewed nights’” were
           His hair is neatly combed back to    found  his  voice  strangled  when   In 1977, he joined the‘Institute of   His father passed away in the third   “90 came as jolt out of the blue.   some of themes of my paintings from
         reveal  a  prominent  forehead,  and   his  vocal  chords  were  surgically    Music and Fine Arts’then situated in   year of his college, and financial con-  The situation around me deteriorated   those times,” he says.
         round rimmed spectacles over gentle   removed  to  stall  the  cancer.  Now,   Srinagar’s uptown area Jawahar Nagar   straints meant Mushtaq had to drop out  rapidly with each passing day, before   With a never-die-spirit of a true
         eyes complete the impression of an   he talks almost in a hoarse whisper    for a three-year degree in Art. “I learnt   to earn for the family. The bitter strug-  I even had a chance to react. I had    artist, Mushtaq managed to revive his
         elderly gentleman. Dressed in a neat   interrupted  by  bouts  of  a  wheez -  clay modelling, sculptor making, de-  gle that followed took him to Mumbai   invested around 14-15 lakhs in my busi-  business again in a couple of years. By
         checked tweed waistcoat over a blue   ing cough. He found his voice back in    signs in wood carving there. My first   in 1981 where a chance encounter with  ness. It was a fairly big amount in those  2014 he had managed to create a large
         sweater, and khaki pants he looks like   colour and canvas.      and second year in college gave me so          Syed Siddiqi — a Hyderabad based art-  days compared to today. I lost it all,” he   portfolio, and planning to exhibit his
         any elderly Kashmiri gentleman. Yet,                                                                            ist, left him transformed.      recounts.                        paintings on a large scale for the first
         52-year-old Mir Mushtaq — the gen-                                                                                “It was by accident that I happened   Mushtaq had to sell all his property   time. But fate had another twist in
         tleman in question is anything but                                                                              to interact with Syed Sahab while trav-  including his spacious home and office  store. Unprecedented floods hit the val-
         ordinary.                                                                                                       elling. And soon he learnt, I too was a    place. Having lost everything, he again   ley on September 7, and in it went float-
           On entering, the first thing one                                  • Painting hope  Given barely a few         fellow traveler on a quest. It was his love  sought refuge in art.  ing away all his art works. He was left
         notices is Mushtaq dabbling with col-                               months to live, Mushtaq continues to paint  for the art and artists that he took me    “It was a very difficult time and there  bereft just like before. “Majority of my
         our in his art studio, SM Mushtaq Art                                                                           under his wing and taught the nuances  was a killing and bloodshed almost eve-  artworks were swept by floods. I wept
         Gallery. He specializes in handmade                                                                             of micro art and other techniques of   ry day. “Ye kaun mara, Ye kiska lahu hai,  tears of blood that day.”
         paintings, Islamic calligraphy and mod-                                                                         painting,” he says.             akhir kab tak, (Who died, whose blood is   Loss  and  hope  are  a  motif  of
         ern art. Many specimens of his exper-                                                                             In 1983, Mushtaq returned to Kash-                             Mushtaq’s life. No sooner does he pick
         tise are piled against the canvas stands                                                                        mir and set up a business of advertis-                           up the pieces than another tragedy hits
         or hung on the walls.                                                                                           ing and screen printings in old city’s   Loss and hope are a     him. He had barely recovered from the
           A classic pastoral shows a deer in                                                                            Gawkadal.                          motif of Mushtaq’s            floods, when he was diagnosed with
         a bower gazing serenely, while the                                                                                “Screen printing was a costly affair                           cancer of the throat, and given barely
         forest  paths  meanders  before  her.                                                                           those days. There were no comput-  life. No sooner does          a few months to live. But, he continues
         Another  is  a  panoramic  portrayal                                                                            ers, and the processing of designs was   he pick up the pieces   to paint and strive. The connoisseur of
         of the old city as visible from Zaina                                                                           a tedious process. I myself painted out                          fine art and music he is he ends with a
         Kadal Bridge — one of the six bridges                                                                           several intricate designs of visiting   than another tragedy     line by Faiz:
         that lend the city its old world charm.                                                                         and wedding cards and they received   hits him. He had barely      “I still haven’t lost hope.  Ye haath
         Flourishing his brush with bold strokes                                                                         a good response from the clients,” he                            salamat hai kab tak, is khoon main hasrat
         with an ease of expertise, the can -                                                                            narrates.                          recovered from the            hai jab tak (Till these hands are able to
         vas comes alive with a calligraphic                                                                               The business continued to bloom till   floods, when he was     labour/ till warm blood gushes through
         reproduction of a verse from Quran:                                                                             the turbulence of 90’s when militancy                            my veins), I will continue to paint,” he
         Fabi-aiyi-alai kuma tukkaziban (Which                                                                           reared its head. Gawakdal was the lit-  diagnosed with cancer    concludes.
         of the favours of your Lord will you                                                                            eral eye in the storm, as the massacre   of the throat
         deny?)                                                                                                          at Gawakadal Bridge fanned the fires                                             letters@tehelka.com


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